IMOGEN'S BEDCHAMBER IN CYMBELINE'S PALACE:
IMOGEN in bed, reading; a Lady attending
IMOGEN
Who's there? my woman Helen?
LADY
Almost midnight, madam.
IMOGEN
I have read three hours then: mine eyes are weak:
Fold down the leaf where I have left: to bed:
Take not away the taper, leave it burning;
And if thou canst awake by four o' the clock,
I prithee, call me. Sleep hath seized me wholly
Exit Lady
Sleeps. IACHIMO comes from the trunk
IACHIMO
The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
Taking off her bracelet
Clock strikes
Goes into the trunk. The scene closes
SCENE III
An ante-chamber adjoining Imogen's apartments.
Enter CLOTEN and Lords
FIRST LORD
Your lordship is the most patient man in loss, the
most coldest that ever turned up ace.
CLOTEN
It would make any man cold to lose.
FIRST LORD
But not every man patient after the noble temper of
your lordship. You are most hot and furious when you win.
CLOTEN
Winning will put any man into courage. If I could
get this foolish Imogen, I should have gold enough.
It's almost morning, is't not?
CLOTEN
I would this music would come: I am advised to give
her music o' mornings; they say it will penetrate.
Enter Musicians
SONG
CLOTEN
So, get you gone. If this penetrate, I will
consider your music the better: if it do not, it is
a vice in her ears, which horse-hairs and
calves'-guts, nor the voice of unpaved eunuch to
boot, can never amend.
Exeunt Musicians
SECOND LORD
Here comes the king.
CLOTEN
I am glad I was up so late; for that's the reason I
was up so early: he cannot choose but take this
service I have done fatherly.
Enter CYMBELINE and QUEEN
CYMBELINE
Attend you here the door of our stern daughter?
Will she not forth?
CLOTEN
I have assailed her with music, but she vouchsafes no notice.
CYMBELINE
The exile of her minion is too new;
She hath not yet forgot him: some more time
Must wear the print of his remembrance out,
And then she's yours.
QUEEN
You are most bound to the king,
Who lets go by no vantages that may
Prefer you to his daughter. Frame yourself
To orderly soliciting, and be friended
With aptness of the season; make denials
Increase your services; so seem as if
You were inspired to do those duties which
You tender to her; that you in all obey her,
Save when command to your dismission tends,
And therein you are senseless.
Enter a Messenger
MESSENGER
So like you, sir, ambassadors from Rome;
The one is Caius Lucius.
CYMBELINE
A worthy fellow,
Albeit he comes on angry purpose now;
But that's no fault of his: we must receive him
According to the honour of his sender;
And towards himself, his goodness forespent on us,
We must extend our notice. Our dear son,
When you have given good morning to your mistress,
Attend the queen and us; we shall have need
To employ you towards this Roman. Come, our queen.
Exeunt all but CLOTEN
CLOTEN
If she be up, I'll speak with her; if not,
Let her lie still and dream.
Knocks
Knocks
Enter a Lady
LADY
Who's there that knocks?
CLOTEN
Yes, and a gentlewoman's son.
LADY
That's more
Than some, whose tailors are as dear as yours,
Can justly boast of. What's your lordship's pleasure?
CLOTEN
Your lady's person: is she ready?
LADY
Ay,
To keep her chamber.
CLOTEN
There is gold for you;
Sell me your good report.
LADY
How! my good name? or to report of you
What I shall think is good?--The princess!
Enter IMOGEN
CLOTEN
Good morrow, fairest: sister, your sweet hand.
Exit Lady
IMOGEN
Good morrow, sir. You lay out too much pains
For purchasing but trouble; the thanks I give
Is telling you that I am poor of thanks
And scarce can spare them.
CLOTEN
Still, I swear I love you.
IMOGEN
If you but said so, 'twere as deep with me:
If you swear still, your recompense is still
That I regard it not.
IMOGEN
But that you shall not say I yield being silent,
I would not speak. I pray you, spare me: 'faith,
I shall unfold equal discourtesy
To your best kindness: one of your great knowing
Should learn, being taught, forbearance.
CLOTEN
To leave you in your madness, 'twere my sin:
I will not.
IMOGEN
Fools are not mad folks.
CLOTEN
Do you call me fool?
IMOGEN
As I am mad, I do:
If you'll be patient, I'll no more be mad;
That cures us both. I am much sorry, sir,
You put me to forget a lady's manners,
By being so verbal: and learn now, for all,
That I, which know my heart, do here pronounce,
By the very truth of it, I care not for you,
And am so near the lack of charity--
To accuse myself--I hate you; which I had rather
You felt than make't my boast.
CLOTEN
You sin against
Obedience, which you owe your father. For
The contract you pretend with that base wretch,
One bred of alms and foster'd with cold dishes,
With scraps o' the court, it is no contract, none:
And though it be allow'd in meaner parties--
Yet who than he more mean?--to knit their souls,
On whom there is no more dependency
But brats and beggary, in self-figured knot;
Yet you are curb'd from that enlargement by
The consequence o' the crown, and must not soil
The precious note of it with a base slave.
A hilding for a livery, a squire's cloth,
A pantler, not so eminent.
IMOGEN
Profane fellow
Wert thou the son of Jupiter and no more
But what thou art besides, thou wert too base
To be his groom: thou wert dignified enough,
Even to the point of envy, if 'twere made
Comparative for your virtues, to be styled
The under-hangman of his kingdom, and hated
For being preferred so well.
CLOTEN
The south-fog rot him!
IMOGEN
He never can meet more mischance than come
To be but named of thee. His meanest garment,
That ever hath but clipp'd his body, is dearer
In my respect than all the hairs above thee,
Were they all made such men. How now, Pisanio!
Enter PISANIO
CLOTEN
'His garment!' Now the devil--
IMOGEN
To Dorothy my woman hie thee presently--
IMOGEN
I am sprited with a fool.
Frighted, and anger'd worse: go bid my woman
Search for a jewel that too casually
Hath left mine arm: it was thy master's: 'shrew me,
If I would lose it for a revenue
Of any king's in Europe. I do think
I saw't this morning: confident I am
Last night 'twas on mine arm; I kiss'd it:
I hope it be not gone to tell my lord
That I kiss aught but he.
PISANIO
'Twill not be lost.
IMOGEN
I hope so: go and search.
Exit PISANIO
CLOTEN
You have abused me:
'His meanest garment!'
IMOGEN
Ay, I said so, sir:
If you will make't an action, call witness to't.
CLOTEN
I will inform your father.
IMOGEN
Your mother too:
She's my good lady, and will conceive, I hope,
But the worst of me. So, I leave you, sir,
To the worst of discontent.
Exit
CLOTEN
I'll be revenged:
'His meanest garment!' Well.
Exit